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The Gathering:
A Collective Sonic Ring Shout

Program Notes

 

Joel Thompson

Seven Last Words of the Unarmed

Jason Michael Webb
Piano

Joseph Joubert
Keyboard

Charise Grimes
Bass

Alex Nolan
Guitar

Brandon Brooks
Drums

Vocalists:
Stephanie Alvarenga
Keesha Gumbs
Melaine Rochford
Jhetti-Rose Lashley
John McClure
Carlton Taylor
Kyron Elcock

 

Listening to Seven Last Words of the Unarmed can be uncomfortable. As you listen, I ask that you try to remain open. It can be easy to let a spirit of defensiveness pollute the experience of the piece. I ask that you revisit the last moments of these men with fresh hearts:

Kenneth Chamberlain, Sr., the retired Marine who accidentally pressed his Life Alert necklace which recorded the police calling him a n***er before he was killed. (“Officer, why do you have your guns out?”)

Trayvon Martin: the teenage boy with his bag of Skittles being chased in his own neighborhood. (“What are you following me for?”)

Amadou Diallo: the young immigrant who called his mother in Guinea after he had saved up enough money to pursue a degree in computer science. (“Mom, I’m going to college.”)

Michael Brown: the recent high school graduate and amateur musician whose body lay baking in the street for four hours before being taken to the coroner. (“I don’t have a gun. Stop shooting!”)

Oscar Grant III: the young father (of a 4-year-old girl) who was shot in the back while handcuffed in a prone position at Fruitvale Station. (“You shot me! You shot me.”)

John Crawford: the other young father who was purchasing a BB gun for his son in a Walmart in the open carry state of Ohio. (“It’s not real.”)

Eric Garner: the 43-year-old grandfather who was choked to death on camera on the streets of New York City. (“I can’t breathe.”)

When the music is over, let us continue to listen. Let us listen to each other with love and hope for a more just future. Thank you.

 

Courtney Bryan

Sanctum

Sanctum explores the sound of improvisation in Holiness-preaching traditions. I draw inspiration from recorded sermons, The Praying Slave Lady by Pastor Shirley Caesar and The Eagle Stirs Her Nest by Reverend C. L. Franklin, and Reverend Charles Albert Tindley’s hymn, Stand By Me. Included are the voices of Marlene Pinnock and of activists in Ferguson, Missouri from 2014. By employing techniques of layered repetition, rhythmic intensity, sounds of moaning and whooping, Sanctum invokes solace found in the midst of persecution and tribulation.

 

Toshi Reagon

My Name: A Reflection of Home

Toshi Reagon
Vocals, Guitar

Fred Cash
Bass

Matt Graff
Drums

Ann Klein
Electric Guitar

Josette Newsam
Vocals

 

My Name is a song I wrote thinking about the transatlantic slave trade and what it meant to be going about your day then suddenly abducted into horrible circumstances.

Systems intentionally created to steal you. Abuse you. Use you. Break your soul and have you behave in line or risk even more horror.

Humans hurting. Displacing. Buying. Selling.
Killing in such a way that killing yourself might be grace.
In this journey I think about what could happen if someone finds you before you are to far gone.
Listening to Courtney Bryan’s powerful and emotional Sanctum I felt something… It was the fresh air of knowing who we are and how to be… “Out in the street playing like I’m alive…”

Joy, Life, Loving, Living, Falling Down, Making Mistakes, Living, Breathing

Handed up from our ancestors as they navigated the lies and extreme violence of the founding fathers of the United States of America who had no idea about Freedom, Justice and Equality. But knew a lot about stealing, raping, torture, exploitation and creating a country based in white supremacist goals and leadership.

“Out in the street playing like I can Fly…”

We have never recovered from an economic system based on slavery. We still live off of the idea that much of the earth’s resources are disposable and foundational to the power of a few humans. Courtney Bryan’s Sanctum expresses what must be said out loud about our right now conditions grown from the birth of this country. My Name swings around in a circle and looks in the eyes of those who are love depleted creating chaos and calls out the agony. We keep moving the circle to source our knowing, our love, our joy, our togetherness. We imagine that someone will ring an alarm if we are missing. We hold that that is a calling our name.

They are looking for us.
They will find us and bring us home.

 

 

Carlos Simon

AMEN! (2017)

AMEN! was commissioned by the University of Michigan Symphony Band and is a homage to my family’s four generational affiliation with the Pentecostal church. My intent is to re-create the musical experience of an African American Pentecostal church service that I enjoyed being a part of while growing up in this denomination.

Pentecostal denominations, such as: Church of God in Christ (C.O.G.I.C.), Pentecostal Assemblies of God, Apostolic, Holiness Church, among many others, are known for their exuberant outward expressions of worship. The worship services in these churches will often have joyous dancing, spontaneous shouting, and soulful singing. The music in these worship services is a vital vehicle in fostering a genuine spiritual experience for the congregation.

The three movements in AMEN! are performed without break to depict how the different parts of a worship services flow into the next. The title, AMEN!, refers to the plagal cadence or “Amen” cadence (IV-I), which is the focal point of the climax in the final movement. Along with heavily syncopated rhythms and interjecting contrapuntal lines, this cadence modulates up by half step until we reach a frenzied state, emulating a spiritually heightened state of worship.

Abby Dobson

Say Her Name

As a Sonic Conceptual Performing Artist and Composer, my mission includes creating music-based cultural works that serve as both salve and shield. The African American Policy Forum’s (AAPF) #SayHerName campaign to increase awareness of police killings of Black women and girls and other forms of gendered racialized violence against us galvanized me as an artist. The #SayHerName campaign deeply inspires me because it seeks to change the narratives about police brutality of Black folk in order to center the voices and experience of cis and transgender Black women and girls. This is no small thing. The campaign is rooted in Black feminist desires and demands that we re-imagine what safety and protection look like and mean for Black women and girls.

Choir Members

Soprano:
Stephanie Alvarenga
Joanne Baptiste
Charee Bowman
Khyra Cunningham
Khadija Evans
Sandra-May Flowers
Eustacia Foster
Charlene Freeman
Pamela Garrison
Hortensia Gooding
Keesha Gumbs
Kimberly JaJan
Yolanda Loder
Jasmine Manley
Carolyn Powell
Melaine Rochford
Briana Sheriff
Marguerite Sutherland
Yvonne Thomas
Knoelle Higginson-Wydro

Alto:
Jeanette Blakeney
Martine Bruno
Danielle Chambers
Alexa Diaz
Johnique Edwards
Teresa Gattison
Jhetti Rose Lashley
Noelle Manning
Robrette McRae
Atiya Morgan
Laura Folque Siso
Tanya T. Swift
Carrie Taylor

Tenor:
Derrick Alton
Hal Beasley
Carl Arnez Ellis III
Hollis B. Fleming
Dante Harrell
John McClure
Imhotep Mclean
Rodari Simpson
Carlton Taylor
Dune Zawadzki

Bass:
Winston Benons
Jerome Brooks, Jr
Charles Carter
Robert H Fowler
Kristopher Herron
Angelo Johnson
Monroe Kent III
Kelvin Robertson
Kenny Smith
John D. Thomas

Orchestra Members

Violin I
Kelly Hall-Thompkins
Diane Bruce
Curtis Stewart
D. Paul Woodiel
Ashley Horne
Clayton Penrose-Whitmore
Edward Hardy
Sander Strenger
Daniel Constant
Eric Ramme

Violin II

Deborah Wong
Pala Garcia
Chala Yancy
Dorothy Strahl
Charlene Bishop
Claire Chan
Sarah Fazendin
Jessica Gehring

Viola
Veronica Salas
Andrew Griffin
Sandra Robbins
Jay Julio
Trevor New
Juliet Haffner
Ardith Holmgrain
Matt Ryan

Cello

Sarah Carter
Eliana Mendoza
Victoria Ying Yi Lin
Maureen Hynes
Molly Aronson

Bass
John Paul Norpoth
Anthony Morris
Evan Runyon
Melissa Slocum

Flute
Julietta Curenton
Beomjae Kim
Diva Goodfriend Koven

Oboe
Tuck Lee
Jim Ferraiolo
Dan Shengquan

Clarinet
Mark Allen Jr.
Patricia Billings
Nicole DeMaio

Bassoon
Gina Cuffari
Alex Davis
Nisreen NorFlor

Horn
Laura Weiner
Kyra Sims
Deryck Clarke
Shanyse Strickland

Trumpet
Tim Leopold
Bud Burridge
Sam Jones

Trombone
Mike Seltzer
Kenton Campbell
Ricardo Arbiza

Tuba
Ray Stewart

Timpani
Jonathan Haas

Percussion
Javier Diaz
Wilson Torres
Shiqi Zong

Harp
Susan Jolles

Piano
Christopher Oldfather

Librarian
Manly Romero

Personnel Manager
Jonathan Haas

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