Apollo Theater’s Amateur Night to Hold Auditions Online

Harlem, NY – (March 25, 2020) For the first time in its 86-year history, the Apollo Theater’s Amateur Night auditions will be conducted exclusively through online submissions, as the nonprofit fills the coveted slots for the summer and fall 2020-21 season. The series, which has run consecutively through some of America’s most challenging times, will switch to an online only format as the country is in the midst of social distancing and all of New York’s and the nation’s cultural institutions closed their doors to protect the safety of staff, performers, and audience members. Starting today, contestants who can sing, dance, rap, play an instrument, and perform stand-up or spoken word can submit a pre-recorded audition up to five- minutes in length in the hopes of being selected to perform on the world-famous Apollo stage later this year and compete for the Grand Prize of $20,000. Those under the age of 17 can also submit their digital audition for a spot to compete in the Child Star of Tomorrow category and a $5,000 prize. More details on the online audition process can be found at https://www.apollotheater.org/amateur-night/auditions/

The previously scheduled in-person open audition for the spring season on April 18 has been canceled.

Since its inception in 1934, the Apollo Theater’s signature show, Amateur Night, has been one of the longest-running continuous events in New York City, gaining global recognition for launching the careers of thousands of performers and attracting audiences from all over the world. Amateur Night has long been revered by artists as a transformative experience where up-and-coming talent feel the power of the legendary performers who have come before them, and where audience responses can help make or break a career. Ella Fitzgerald, Luther Vandross, Lauryn Hill, and H.E.R. are just a few of the legendary performers who launched their careers on the Apollo stage. Beginning in 2017, the Apollo Theater incorporated online submissions into its audition process to extend access to artists around the globe and diversify the talent featured in the original, large-scale talent show, and is now receiving thousands of online auditions annually. While the majority of contestants who make it to the Apollo stage still do so the traditional way, the international contestants have grown, even spawning the first ever Amateur Night in Japan this past fall.

“Digital technology has enabled us to stay more connected than ever before, and during these uncertain times it is incredibly vital for the Apollo Theater to continue to engage with artists and audiences around the world,” said Kamilah Forbes, Apollo Theater Executive Producer. “We’re devastated by the loss the pandemic has had on the arts community, and we want to celebrate the talent and hard work artists have put into their craft. Amateur Night represents this, and we want to keep the spotlight shining on these talented individuals.”

The Apollo Theater has long served as a testing ground for new artists working across a variety of art forms and has ushered in the emergence of many new musical genres—including jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop. The Apollo’s Amateur Night also served as the inspiration for “Showtime at the Apollo,” the acclaimed televised performance competition that ran for over 20 years and featured countless professional and up-and-coming artists. The show was revived in 2017, featuring Steve Harvey as the host, for two special showcases and a full season in 2018. Through its programming and education initiatives, the Apollo continues to partner with artists and foster career development for artists and arts administrators alike, fostering the next generation of performance-makers both onstage and behind the scenes. The Apollo’s forward-looking artistic vision continues to build on this legacy, while also serving as a partner, commissioner, and co-producer of programming that articulates African American narratives and creating a 21st century performing arts canon.


Amateur Night at the Apollo is made possible by leadership support from Coca-Cola.

Public support for the Apollo Theater is provided by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.


The legendary Apollo Theater—the soul of American culture—plays a vital role in cultivating emerging artists and launching legends. Since its founding, the Apollo has served as a center of innovation and a creative catalyst for Harlem, the city of New York, and the world.

With music at its core, the Apollo’s programming extends to dance, theater, spoken word, and more. This includes the world premiere of the theatrical adaptation of Ta-Nehisi Coates’s Between the World and Me and the New York premiere of the opera We Shall Not Be Moved; special programs such as the blockbuster concert Bruno Mars Live at the Apollo; 100: The Apollo Celebrates Ella; and the annual Africa Now! Festival. The non-profit Apollo Theater is a performing arts presenter, commissioner, and collaborator that also produces festivals, large-scale dance and musical works organized around a set of core initiatives that celebrate and extend the Apollo’s legacy through a contemporary lens, including the Women of the World (WOW) Festival as well as other multidisciplinary collaborations with partner organizations.

Since introducing the first Amateur Night contests in 1934, the Apollo Theater has served as a testing ground for new artists working across a variety of art forms and has ushered in the emergence of many new musical genres—including jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop. Among the countless legendary performers who launched their careers at the Apollo are Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Stevie Wonder, Gladys Knight, Luther Vandross, H.E.R., D’Angelo, Lauryn Hill, Machine Gun Kelly and Miri Ben Ari; and the Apollo’s forward-looking artistic vision continues to build on this legacy.

In fall 2020, the Apollo Theater will mark its first ever physical expansion with the theaters at the Victoria, part of the vision for a future Apollo Performing Arts Center. The theaters at the Victoria will support the growth of the Apollo’s artistic programming as it continues to provide a home to artists of color, create an expanded 21st century American performing arts canon, and provide additional educational and community programming in Harlem and beyond. For more information about the Apollo, visit www.ApolloTheater.org.

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For more information, please contact:


Alexander Droesch / Julie Danni / Josh Balber Resnicow and Associates

ADroesch@resnicow.com / JDanni@resnicow.com / JBalber@resnicow.com 212-671-5154 / 212-671-5173 / 212-671-5175

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About The Apollo

The Apollo is an American cultural treasure. It is a vibrant non-profit organization rooted in the Harlem community that engages people from around New York, the nation, and the world. Since 1934, The Apollo has celebrated, created, and presented work that centers Black artists and voices from across the African Diaspora. It has also been a catalyst for social and civic advocacy. Today, The Apollo is the largest performing arts institution committed to Black culture and creativity.

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The Apollo is a commissioner and presenter; catalyst for new artists, audiences, and creative workforce; and partner in the projection of the African American narrative and its role in the development of American and global culture.

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Artist on stage at Apollo Theater

The Apollo envisions a new American canon centered on contributions to the performing arts by artists of the African diaspora, in America and beyond.

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