Apollo Live Wire

Live Wire

re-Volution Live: 50 Years After Say It Loud

Thursday, October 18 at 6:30 pm

 

Fifty years after the release of James Brown’s hallmark anthem, Apollo Live Wire brings together a lineup of acclaimed artists and thinkers to reflect on the impact of that pivotal song in music history.  Join Duke University Professor of African and African American Studies, Mark Anthony Neal;  bassist, composer and host of Jazz Night in America, Christian McBride; and three special guest DJs, for an improvised evening of music and conversation.

Featuring Guest DJs: DJ KS 360, DJ LiKWUiD, DJ MamaSoul.

View Live Stream Apollo Say It Loud Digital Stage

Live Wire

Letters to Langston: Snapshots of an LGBT Life

Thursday, June 14 at 6:30 pm

Apollo Live Wire celebrated Harlem's LGBT community, its friends, and neighbors with a presentation on Langston Hughes by Harlem historian and Columbia University Community Scholar, John Reddick.

Letters to Langston: Snapshots of an LGBT Life reflected on Hughes' LGBT friends, colleagues, and romantic associations as viewed through the "camera" lens of his friend, long-time letter correspondent, and photographer Carl Van Vechten. The presentation also included readings of Hughes poetry by Lacresha Berry and musical selections by Genovis Albright.

Presented in collaboration with Harlem Pride.

CLICK HERE to learn about I, Too Arts Collective, a Harlem based organization that is continuing the legacy of Langston Hughes.

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Live Wire

On the Record: Black Music and the Civil Rights Movement

Tuesday, February 6 at 6:30 pm

We often hear about the pivotal role that black musicians like Mahalia Jackson, Aretha Franklin, Sam Cooke, Odetta, Harry Belafonte, and Nina Simone played in the civil rights struggles of the 1950s and 1960s. Less discussed, however, is the role played by black-owned record companies and how savvy black entrepreneurs negotiated the complex relationship between race, politics and commerce. This discussion will consider the contributions of trailblazing black-owned record companies like Motown and Vee Jay, James Brown’s People Records, Clarence Avant’s Sussex, Sam Cooke’s SAR, and Gamble and Huff’s Philadelphia International. We will also take a dive into lesser-known record labels like the Isley Brothers’ T-Neck and Curtis Mayfield’s Curtom. As the story of black music industry entrepreneurship did not begin and end with the civil rights era, the history of labels formed in the early part of the 20th century as well as the rise of companies as far ranging as the Bob Marley's Tuff Gong, Sylvia Robinson’s Sugar Hill, Prince’s Paisley Park, LA Reid and Babyface’s LaFace, Sean Combs’ Bad Boy, Dr. Dre’s Death Row, as well as the ascent of today’s 'hybrid' record companies like Jay Z’s Roc Nation, Beyoncé’s Parkwood, and Anthony Tiffith’s Top Dawg will also be explored.

Moderated by Jason King, journalist, musician, DJ and Associate Professor and the founding faculty member at New York University's Clive Davis Institute of Recorded Music.

Panelists Included:

Carol Cooper: Arts critic, Educator, and Former Record Industry Executive

Michael A. Gonzales: Essayist and Co-author of Bring the Noise: A Guide to Rap Music and Hip-Hop Culture

James Mtume: Composer, Producer, Songwriter, and Activist

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Live Wire

How I Got Over: The Spirit of Gospel Music 

Sunday, December 10, 2017 at 3:00 pm

A Sunday afternoon conversation exploring the history and influence of Gospel music and the Black religious experience. Judith Casselberry, associate professor of Africana Studies at Bowdoin College and author of The Labor of Faith: Gender and Power in Black Apostolic Pentecostalism, guides us through this journey that begins in the early 20th century and winds across the decades through the migration experience, regional influences, denominational traditions, and innovative performers to today’s contemporary Gospel music scene.

Panelists included:
Charrise Barron - Postdoctoral Associate, Yale Institute of Sacred Music
Mellonee Burnim - Professor of Folklore and Ethnomusicology; Director, Archives of African American Music & Culture University of Indiana Bloomington; Co-editor of African American Music: An Introduction
Joyce Marie Jackson - Professor of Folklore and Ethnomusicology in the Department of Geography & Anthropology at Louisiana State University, Baton Rouge
Randal Jacobs - Essayist; Curator
Matthew D. Morrison - Assistant Professor, New York University; Clive Davis Institute of Recorded Music

Performances by:
Marcelle Davies-Lashley, Jhetti, and Samuel Guillaume

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Live Wire

Black Men/Soul Music II: Soul Revolution

Thursday, June 15, 2017 at 6:30 pm

Following up the 2013 Live Wire inaugural event, this discussion looks at the music of black men during the 1970s and 1980s, some of which drew attention to the persistent issues of the civil rights movement of previous decades. Black Men/Soul Music II: Soul Revolution will look at the work of artists such as Stevie Wonder, The Isley Brothers, The Last Poets, Gil Scott Heron, Marvin Gaye, Donny Hathaway, and how they along with various writers and producers like Wonder, Curtis Mayfield, Kenny Gamble, Leon Huff, and Norman Whitfield helped to define the sound of a revolution in popular music.

Award-winning writer and journalist Herb Boyd lead the discussion.
Panelists included:
Imhotep Gary Byrd, Award-Winning Radio Broadcaster, Poet & Songwriter
Gordon Chambers, Grammy Award-Winning Singer-Songwriter and Producer
Mark Anthony Neal, Professor of Black Popular Culture, Duke University
Solomon Hicks, Jazz and Blues Guitarist, Singer, and Composer

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Live Wire

Performance and the Politics of Style 

Thursday, May 4, 2017 at 6:30 pm

Women have made an indelible imprint on popular culture, style, and the entertainment industry. From early 20th century Blues and jazz singers like Bessie Smith and Billie Holiday to more contemporary pop, Hip Hop, and Indigenous music artists, their presence in the performance arena has not only influenced cross-cultural style but has also served as a narrative on social consciousness and the politics of race and gender. In a discussion led by scholar and author Salamishah Tillet, Performance and the Politics of Style will explore some iconic and, perhaps, lesser known artists who have taken performance to a new level, asserting their own narratives of artistic and political freedom in ways at times appealing and controversial.

Panelists included:
Tanisha C. Ford, Author of Liberated Threads: Black Women, Style, and the Global Politics of Soul; Assistant professor of Women, Gender, Sexuality Studies at the University of Massachusetts Amherst
Nichelle Gainer, Author, Vintage Black Glamour
Janel Martinez, Journalist; Founder of AintILatina.com

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Live Wire

Ella! A Centennial Celebration

Thursday, March 23, 2017 at 6:30 pm

When Ella Fitzgerald made her debut on Apollo Amateur Night in 1934, she was a shy teenager. By 1939 she was leading the Chick Webb Orchestra in the wake of Webb’s death. Today, Fitzgerald remains one of the most respected singers of the 20th century.  In a discussion led by Farah Jasmine Griffin,  Live Wire’s celebration of Fitzgerald’s centennial will explore “The First Lady of Song” through her music, her musicianship, and as a woman revered in an art form predominated by men.

Moderated by Farah Jasmine Griffin, Author and Professor of English and Comparative Literature, Jazz Studies, and African-American Studies at Columbia University

Panelists included:
Judith Tick (Matthews Distinguished Professor Emeritus, Music History, American Music, Women’s History, Twentieth Century Music, Northeastern University)
Loren Schoenberg (Musician; Founding Director and Senior Scholar, National Jazz Museum in Harlem)
Robert G. O’Meally (Zora Neale Hurston Professor of English, Columbia University)

Featuring a musical reflection by two-time Helen Hayes Award nominee, author and star of "Me & Ella", Andrea Frierson, and her trio.

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Live Wire

Legendary: A Conversation with Melba Moore and Dionne Warwick

Tuesday, October 11, 2016 at 6:30 pm

Music journalist Christian John Wikane helped us kick off the 2016- 2017 Live Wire season with two women whose longevity and careers have bridged decades and performance genres including music, theater, stage and screen. Melba Moore is a Tony Award winning singer and actress who appeared in Hair, Purlie, and Timbuktu on Broadway and also achieved success as a performing and recording artist. Multi-GRAMMY Award winner Dionne Warwick’s voice helped define the sound of the 1960s. First appearing at the Apollo as part of the singing group The Gospelaires and winning Amateur Night in 1957, her solo career included numerous appearances at the Apollo where her poised, classic style and powerful voice made her an audience favorite. 

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Live Wire

Bad/Dangerous/Invincible: Michael Jackson's Epic Years 

Thursday, June 16, 2016 at 6:30 pm

From Off the Wall to Invincible, Michael Jackson’s recordings on Epic Records chronicle the artist’s evolution to become one of the most influential musicians of the 20th century. Author and Duke University Professor of Black Popular Culture, Mark Anthony Neal, took us behind the music for a look at Jackson’s resounding impact on music, culture and entertainment and his place in a longstanding tradition of Black performance. Panelists included Tanisha C. Ford, Emily J. Lordi, and Irvin Mayfield.

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5/26/16 Apollo Live Wire: Identifyin(g) & Signifyin(g) Harlem's Queer Arts Legacy

Live Wire

Identifyin(g) & Signifyin(g) Harlem's Queer Arts Legacy

Thursday, May 26, 2016 at 6:30 pm

With its almost annual presentations the Jewel Box Revue during the 1960s and 70s, the Apollo was one of many venues in Harlem to highlight Queer culture and contributions to the arts and entertainment. From the Harlem Renaissance to the Harlem Balls, historian John Reddick explored the rich and influential legacy of Queer culture in Harlem, the venues, artists, and the purveyors.

Performances by Michelle la Fontaine.

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Live Wire

Mothers of Invention

Thursday, March 24, 2016 at 6:30 pm

Live Wire looked at the blues and gospel origins of Rock n Roll and the ground breaking female icons and innovators at its heart: Ma Rainey, Bessie Smith, Memphis Minnie, Sister Rosetta Tharpe, and Big Mama Thornton. Tamar-kali lead this conversation which explored how their legacies reflected the trend of hidden influences in American pop culture. Panelists included Gracie Aghapour, LaRonda Davis and LaFrae Sci.

Click here to view a timeline presentation of the lives and careers of the "Mothers of Invention".

PanelistsPhotoDescription_MothersofInvention

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Live Wire

Comedy at the Apollo

Thursday, February 4, 2016 at 6:30 pm

Butterbeans and Susie, Stepin’ Fetchit, Moms Mabley, Timmie Rogers, Redd Foxx, Dick Gregory, Richard Pryor, Chris Rock - the list of comedians who have performed at the Apollo is long and impressive. The story of comedy at the Apollo offers insights into the history of Black humor, politics, and entertainment. Author and journalist of On The Real Side, Mel Watkins, comedian and author Leighann Lord, and Bob Sumner, Producer of Def Comedy Jam and Apollo Comedy Club take us on a journey to discover some of the comedians who played the Apollo and forever changed American comedic style.

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Live Wire

Mr. Dynamite: The Rise of James Brown

Thursday, November 12, 2015 at 6:30 pm

On November 12, Live Wire paid homage to Apollo Hall of Fame inductee with a screening of the acclaimed documentary, Mr. Dynamite: The Rise of James Brown After the screening, Harry Weinger, a special consultant to the film led a discussion with the film’s director Alex Gibney, editor, Geeta Gandbhir, Hip Hop activist and journalist, Harry Allen, and ethnomusicologist, Michael Veal.

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Live Wire

Breakin' Convention: Hip Hop Dance Theatre - How We Get Down Now

Thursday, October 15, 2015 at 6:30 pm

Dance historian and Duke University professor of African American Studies, Thomas F. DeFrantz leads this conversation with performing artists from the U.S. and abroad on how they integrate hip hop choreography with theatre in their work. Panelists included Jonzi D., Ana “Rokafella” Garcia, Antoinette Gomis, and Ukweli Roach.

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Live Wire

Harlem's Music Legacy

Thursday, May 7, 2015 at 6:30 pm

Nefertari Kirkman-Bey moderates this discussion reflecting on Harlem’s jazz legacy-- the artists, venues and styles that made Harlem central the development of the music, and the current infusion of energy in the community around this timeless art form. Presented as part of the Harlem Jazz Shrines Festival.

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Live Wire

Bold Soul Sisters

Thursday, March 26, 2015 at 6:30 pm

Riding the waves of an evolving Feminist movement and the sexual revolution, the “girl groups” of the 1960s gave way to a more progressive look and sound for female singers in the 70s. Groups like Labelle, The Pointer Sisters, First Choice, and Sister Sledge took R&B, jazz, soul and even country music to a new level. Music journalist and essayist Christian John Wikane interviews four women who helped power these groups to the pinnacle of the 1970s popular music scene: Rochelle Fleming, Nona Hendryx, Ruth Pointer, and Kathy Sledge.

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Live Wire

South African Music Now

Thursday, October 9, 2014 at 6:30 pm

The fall of apartheid signaled not only a new socio/political era for South Africa but a change in the direction of its music scene. Ethnomusicologist and University of Pittsburgh professor, Gavin Steingo leads us in an exploration of changes in South Africa’s political and musical landscape since the inauguration of Nelson Mandela in 1994 with some of the artists at the forefront of the country’s music scene: singerSimphiwe Dana; Poet & Hip Hop artist Tumi Molekane; and members of the A capella trio The Soil. Presented as part of the Africa Now! Festival in collaboration with World Music Institute.

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Live Wire

Afro-Latin Jazz

Thursday, October 9, 2014 at 6:30 pm

Trombonist and Columbia Associate Professor of Ethnomusicology Chris Washburne leads this conversation on Harlem’s Afro Latin Jazz music. We’ll explore the roots of Afro Latin Jazz and some of the key musicians and shrines where the music flourished in Harlem.

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Live Wire

Black Style on Stage

Thursday, February 6, 2014 at 6:30 pm

While the Apollo is known for its legendary performers, many of the performers who have graced the Apollo stage have been known for their trendsetting style.

In honor of the Apollo’s 80th birthday, this Live Wire event dug deep into our trove of colorized photos to uncover the depths of Black style as embodied by both well and lesser known performers. Black Style on Stage looked at clothes, costumes, hair and other style elements and the more intricate details of how performers presented themselves in pictures and on stage. We also explored the sometimes hidden messages that style conveys about an entertainer while discovering which of today’s celebrity artists are channeling style icons of the past.

Harlem’s own style & culture maven and Apollo archivist, Lana Turner, was our host with special guests Maxine Brown, Randal Jacobs, Emilio Sosa and surprise panelist Mary Wilson.

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Live Wire

The Anatomy of Funk

Thursday, October 24, 2013 at 6:30 pm

Artistic and Creative Director, Otis Sallid, was joined by choreographers and musicians in a discussion of the man, the music, and the dancing that comprise James Brown: Get on the Good Foot, A Celebration in Dance. Moderated by Baraka Sele.

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Live Wire

The Ultimate James Brown Roundtable

Thursday, October 17, 2013 at 6:30 pm

Bassist Christian McBride’s dream of performing with James Brown was realized just months before the Godfather of Soul passed away in 2006. McBride convened this panel of JB “alumni”—musicians and associates- to discuss the music and legacy of the “hardest working man in show business.”

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Live Wire

Harlem's Music Legacy

Thursday, May 9, 2013 at 6:30 pm

Harlem Historian John Reddick took us on a journey back to the 1800 - 1900s to meet some of the musicians, singers, and songwriters who helped shape Harlem’s music legacy. Mr. Reddick was accompanied by special guest choreographer Kenneth L. Roberson and singer Lady Leah who demonstrated and discussed examples of the evolution of jazz music from throughout that time period.

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Live Wire

Black Men/Soul Music

Thursday, February 7, 2013 at 6:30 pm

“Soul takes its toll on the soul” – Gordon Chambers

On February 7, 2013, celebrated author and Duke University Professor of Black Popular Culture, Mark Anthony Neal, was joined by journalist and writer Herb Boyd and musician, songwriter Gordon Chambers in a discussion of the artistic, social and political legacy of soul music and its role as an expressive art form for Black men. The lively conversation that took place focused on the music and careers of renowned singers as Jackie Wilson, Isaac Hayes, Barry White, Otis Redding and many others, looking at a timeline that spanned the 50s up through the present day.

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